Ni hao! 
The Forbidden City was the chinese imperial palace from the mid-Ming Dynasty to the end of the Qing Dynasty. It is located in the middle of Beijing, China, and now houses the Palace Museum. For almost five centuries, it served as the home of the Emperor and his household, and the ceremonial and political centre of Chinese government. Built from 1406 to 1420, the complex consists of 980 surviving buildings with 8,707 bays of rooms and covers 720,000 square metres. The palace complex exemplifies traditional chinese palatial architecture, and has influenced cultural and architectural developments in East Asia and elsewhere. The Forbidden City was declared a World Heritage Site in 1987, and is listed by UNESCO as the largest collection of preserved ancient wooden structures in the world. Since 1924, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artefacts were built upon the imperial collections of the Ming and Qing dynasties. Part of the museum's former collection is now located in the National Palace Museum in Taipei. Both museums descend from the same institution, but were split after the Chinese Civil War. The Forbidden City is the world's largest surviving palace complex and covers 720,000 square metres (0.72 km2 or 0.28 mi2). It is a rectangle 961 metres from north to south and 753 metres from east to west. It consists of 980 surviving buildings with 8,707 bays of rooms. The Forbidden City was designed to be the centre of the ancient, walled city of Beijing. It is enclosed in a larger, walled area called the Imperial City. The Imperial City is, in turn, enclosed by the Inner City; to its south lies the Outer City. The Forbidden City remains important in the civic scheme of Beijing.
The central north-south axis remains the central axis of Beijing. This axis extends to the south through Tiananmen gate to Tiananmen Square, the ceremonial centre of the People's Republic of China. To the north, it extends through theBell and Drum Towers to Yongdingmen. The Forbidden City is surrounded by a 7.9-metre high city wall and a six-metre deep, 52-metre wide moat. The walls are 8.62 metres wide at the base, tapering to 6.66 metres at the top. These walls served as both defensive walls and retaining walls for the palace. They were constructed with a rammed earth core, and surfaced with three layers of specially baked bricks on both sides, with the interstices filled with mortar.
At the four corners of the wall sit towers with intricate roofs boasting 72 ridges, reproducing the Pavilion of Prince Teng and the Yellow Crane Pavilion as they appeared in Song Dynasty paintings. These towers are the most visible parts of the palace to commoners outside the walls, and much folklore is attached to them. According to one legend, artisans could not put a corner tower back together after it was dismantled for renovations in the early Qing Dynasty, and it was only rebuilt after the intervention of carpenter-immortal Lu Ban. The wall is pierced by a gate on each side. At the southern end is the main Meridian Gate. To the north is the Gate of Divine Might, which faces Jingshan Park. The east and west gates are called the "East Glorious Gate" and "West Glorious Gate". All gates in the Forbidden City are decorated with a nine-by-nine array of golden door nails, except for the East Glorious Gate, which has only eight rows. The Meridian Gate has two protruding wings forming three sides of a square (Wumen, or Meridian Gate, Square) before it. The gate has five gateways.
The central gateway is part of the Imperial Way, a stone flagged path that forms the central axis of the Forbidden City and the ancient city of Beijing itself, and leads all the way from the Gate of China in the south to Jingshan in the north. Only the Emperor may walk or ride on the Imperial Way, except for the Empress on the occasion of her wedding, and successful students after the Imperial Examination. Traditionally, the Forbidden City is divided into two parts. The Outer Court (外朝) or Front Court (前朝) includes the southern sections, and was used for ceremonial purposes. The Inner Court (内廷) or Back Palace (后宫) includes the northern sections, and was the residence of the Emperor and his family's, and was used for day-to-day affairs of state. (The approximate dividing line shown as red dash in the plan above). Generally, the Forbidden City has three vertical axes. The most important buildings are situated on the central north-south axis. Entering from the Meridian Gate, one encounters a large square, pierced by the meandering Inner Golden Water River, which is crossed by five bridges. Beyond the square stands the Gate of Supreme Harmony. Behind that is the Hall of Supreme Harmony Square. A three-tiered white marble terrace rises from this square. Three halls stand on top of this terrace, the focus of the palace complex. From the south, these are the Hall of Supreme Harmony (太和殿), the Hall of Central Harmony (中和殿), and the Hall of Preserving Harmony (保和殿). The Hall of Supreme Harmony is the largest, and rises some 30 metres above the level of the surrounding square. It is the ceremonial centre of imperial power, and the largest surviving wooden structure in China. It is nine bays wide and five bays deep, the numbers nine and five being symbolically connected to the majesty of the Emperor. Set into the ceiling at the centre of the hall is an intricate caisson decorated with a coiled dragon, from the mouth of which issues a chandelier-like set of metal balls, called the "Xuanyuan Mirror". 
In the Ming Dynasty, the Emperor held court here to discuss affairs of state. During the Qing Dynasty, as Emeperors held court far more frequently, the Hall of Supreme Harmony was only used for ceremonial purposes, such as coronations, investitures, and imperial weddings. The Hall of Central Harmony is a smaller, square hall, used by the Emperor to prepare and rest before and during ceremonies. Behind it, the Hall of Preserving Harmony, was used for rehearsing ceremonies, and was also the site of the final stage of the Imperial examination. All three halls feature imperial thrones, the largest and most elaborate one being that in the Hall of Supreme Harmony. At the centre of the ramps leading up to the terraces from the northern and southern sides are ceremonial ramps, part of the Imperial Way, featuring elaborate and symbolic bas-relief carvings. The northern ramp, behind the Hall of Preserving Harmony, is carved from a single piece of stone 16.57 metres long, 3.07 metres wide, and 1.7 metres thick. It weighs some 200 tonnes and is the largest such carving in China. The southern ramp, in front of the Hall of Supreme Harmony, is even longer, but is made from two stone slabs joined together — the joint was ingeniously hidden using overlapping bas-relief carvings, and was only discovered when weathering widened the gap in the 20th century. In the south west and south east of the Outer Court are the halls of Military Eminence and Literary Glory. 
The former was used at various times for the Emperor to receive ministers and hold court, and later housed the Palace's own printing house. The latter was used for ceremonial lectures by highly regarded Confucian scholars, and later became the office of the Grand Secretariat. A copy of the Siku Quanshu was stored there. To the north-east are the Southern Three Places (南三所), which was the residence of the Crown Prince. The Inner Court is separated from the Outer Court by an oblong courtyard lying orthogonal to the City's main axis. It is the home of the Emperor and his family. In the Qing Dynasty, the Emperor lived and worked almost exclusively in the Inner Court, with the Outer Court used only for ceremonial purposes. At the centre of the Inner Court is another set of three halls. From the south, these are the Palace of Heavenly Purity, Hall of Union, and the Palace of Earthly Tranquility. Smaller than the Outer Court halls, the three halls of the Inner Court were the official residences of the Emperor and the Empress. The Emperor, representing Yang and the Heavens, would occupy the Palace of Heavenly Purity. The Empress, representing Yin and the Earth, would occupy the Palace of Earthly Tranquility. In between them was the Hall of Union, where the Yin and Yang mixed to produce harmony. The Palace of Heavenly Purity is a double-eaved building, and set on a single-level white marble platform. It is connected to the Gate of Heavenly Purity to its south by a raised walkway. 
In the Ming Dynasty, it was the residence of the Emperor. However, beginning from the Yongzheng Emperor of the Qing Dynasty, the Emperor lived instead at the smaller Hall of Mental Cultivation to the west, out of respect to the memory of the Kangxi Emperor. The Palace of Heavenly Purity then became the Emperor's audience hall. A caisson is set into the roof, featuring a coiled dragon. Above the throne hangs a tablet reading "Justice and Honour" (Chinese: 正大光明; Pinyin: zhèngdàguāngmíng). The Palace of Earthly Tranquility is a double-eaved building, 9 bays wide and 3 bays deep. In the Ming Dynasty, it was the residence of the Empress. In the Qing Dynasty, large portions of the Palace were converted for Shamanist worship by the new Manchu rulers. From the reign of the Yongzheng Emperor, the Empress moved out of the Palace. However, two rooms in the Palace of Earthly Harmony were retained for use on the Emperor's wedding night. Between these two palaces is the Hall of Union, which is square in shape with a pyramidal roof. Stored here are the twenty-five Imperial Seals of the Qing Dynasty, as well as other ceremonial items. Behind these three halls lies the Imperial Garden. Relatively small, and compact in design, the garden nevertheless contains several elaborate landscaping features. 
To the north of the garden is the Gate of Divine Might, the north gate of the palace. Distributed to the east and west of the three main halls are a series of self-contained courtyards and minor palaces, where the Emperor's concubines and children lived. Directly to the west is the Hall of Mental Cultivation. Originally a minor palace, this became the de facto residence and office of the Emperor starting from Yongzheng. In the last decades of the Qing Dynasty, empresses dowager, including Cixi, held court from the eastern partition of the hall. Located around the Hall of Mental Cultivation are the offices of the Grand Council and other key government bodies. The north-eastern section of the Inner Court is taken up by the Palace of Tranquil Longevity, a complex built by the Qianlong Emperor in anticipation of his retirement. It mirrors the set-up of the Forbidden City proper and features an "outer court", an "inner court", and gardens and temples. The entrance to the Palace of Tranquil Longevity is marked by a glazed-tile Nine Dragons Screen. A lot of facts to mealt down. A great tip is to be prepared for a long walk in the heat. This is very large. In the south east corner you will find the toilets and can also smoke there, before returning back all the way. Royal!
Zai jian!
Peter
The Forbidden City was the chinese imperial palace from the mid-Ming Dynasty to the end of the Qing Dynasty. It is located in the middle of Beijing, China, and now houses the Palace Museum. For almost five centuries, it served as the home of the Emperor and his household, and the ceremonial and political centre of Chinese government. Built from 1406 to 1420, the complex consists of 980 surviving buildings with 8,707 bays of rooms and covers 720,000 square metres. The palace complex exemplifies traditional chinese palatial architecture, and has influenced cultural and architectural developments in East Asia and elsewhere. The Forbidden City was declared a World Heritage Site in 1987, and is listed by UNESCO as the largest collection of preserved ancient wooden structures in the world. Since 1924, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artefacts were built upon the imperial collections of the Ming and Qing dynasties. Part of the museum's former collection is now located in the National Palace Museum in Taipei. Both museums descend from the same institution, but were split after the Chinese Civil War. The Forbidden City is the world's largest surviving palace complex and covers 720,000 square metres (0.72 km2 or 0.28 mi2). It is a rectangle 961 metres from north to south and 753 metres from east to west. It consists of 980 surviving buildings with 8,707 bays of rooms. The Forbidden City was designed to be the centre of the ancient, walled city of Beijing. It is enclosed in a larger, walled area called the Imperial City. The Imperial City is, in turn, enclosed by the Inner City; to its south lies the Outer City. The Forbidden City remains important in the civic scheme of Beijing.
The central north-south axis remains the central axis of Beijing. This axis extends to the south through Tiananmen gate to Tiananmen Square, the ceremonial centre of the People's Republic of China. To the north, it extends through theBell and Drum Towers to Yongdingmen. The Forbidden City is surrounded by a 7.9-metre high city wall and a six-metre deep, 52-metre wide moat. The walls are 8.62 metres wide at the base, tapering to 6.66 metres at the top. These walls served as both defensive walls and retaining walls for the palace. They were constructed with a rammed earth core, and surfaced with three layers of specially baked bricks on both sides, with the interstices filled with mortar.At the four corners of the wall sit towers with intricate roofs boasting 72 ridges, reproducing the Pavilion of Prince Teng and the Yellow Crane Pavilion as they appeared in Song Dynasty paintings. These towers are the most visible parts of the palace to commoners outside the walls, and much folklore is attached to them. According to one legend, artisans could not put a corner tower back together after it was dismantled for renovations in the early Qing Dynasty, and it was only rebuilt after the intervention of carpenter-immortal Lu Ban. The wall is pierced by a gate on each side. At the southern end is the main Meridian Gate. To the north is the Gate of Divine Might, which faces Jingshan Park. The east and west gates are called the "East Glorious Gate" and "West Glorious Gate". All gates in the Forbidden City are decorated with a nine-by-nine array of golden door nails, except for the East Glorious Gate, which has only eight rows. The Meridian Gate has two protruding wings forming three sides of a square (Wumen, or Meridian Gate, Square) before it. The gate has five gateways.
The central gateway is part of the Imperial Way, a stone flagged path that forms the central axis of the Forbidden City and the ancient city of Beijing itself, and leads all the way from the Gate of China in the south to Jingshan in the north. Only the Emperor may walk or ride on the Imperial Way, except for the Empress on the occasion of her wedding, and successful students after the Imperial Examination. Traditionally, the Forbidden City is divided into two parts. The Outer Court (外朝) or Front Court (前朝) includes the southern sections, and was used for ceremonial purposes. The Inner Court (内廷) or Back Palace (后宫) includes the northern sections, and was the residence of the Emperor and his family's, and was used for day-to-day affairs of state. (The approximate dividing line shown as red dash in the plan above). Generally, the Forbidden City has three vertical axes. The most important buildings are situated on the central north-south axis. Entering from the Meridian Gate, one encounters a large square, pierced by the meandering Inner Golden Water River, which is crossed by five bridges. Beyond the square stands the Gate of Supreme Harmony. Behind that is the Hall of Supreme Harmony Square. A three-tiered white marble terrace rises from this square. Three halls stand on top of this terrace, the focus of the palace complex. From the south, these are the Hall of Supreme Harmony (太和殿), the Hall of Central Harmony (中和殿), and the Hall of Preserving Harmony (保和殿). The Hall of Supreme Harmony is the largest, and rises some 30 metres above the level of the surrounding square. It is the ceremonial centre of imperial power, and the largest surviving wooden structure in China. It is nine bays wide and five bays deep, the numbers nine and five being symbolically connected to the majesty of the Emperor. Set into the ceiling at the centre of the hall is an intricate caisson decorated with a coiled dragon, from the mouth of which issues a chandelier-like set of metal balls, called the "Xuanyuan Mirror". 
In the Ming Dynasty, the Emperor held court here to discuss affairs of state. During the Qing Dynasty, as Emeperors held court far more frequently, the Hall of Supreme Harmony was only used for ceremonial purposes, such as coronations, investitures, and imperial weddings. The Hall of Central Harmony is a smaller, square hall, used by the Emperor to prepare and rest before and during ceremonies. Behind it, the Hall of Preserving Harmony, was used for rehearsing ceremonies, and was also the site of the final stage of the Imperial examination. All three halls feature imperial thrones, the largest and most elaborate one being that in the Hall of Supreme Harmony. At the centre of the ramps leading up to the terraces from the northern and southern sides are ceremonial ramps, part of the Imperial Way, featuring elaborate and symbolic bas-relief carvings. The northern ramp, behind the Hall of Preserving Harmony, is carved from a single piece of stone 16.57 metres long, 3.07 metres wide, and 1.7 metres thick. It weighs some 200 tonnes and is the largest such carving in China. The southern ramp, in front of the Hall of Supreme Harmony, is even longer, but is made from two stone slabs joined together — the joint was ingeniously hidden using overlapping bas-relief carvings, and was only discovered when weathering widened the gap in the 20th century. In the south west and south east of the Outer Court are the halls of Military Eminence and Literary Glory. 
The former was used at various times for the Emperor to receive ministers and hold court, and later housed the Palace's own printing house. The latter was used for ceremonial lectures by highly regarded Confucian scholars, and later became the office of the Grand Secretariat. A copy of the Siku Quanshu was stored there. To the north-east are the Southern Three Places (南三所), which was the residence of the Crown Prince. The Inner Court is separated from the Outer Court by an oblong courtyard lying orthogonal to the City's main axis. It is the home of the Emperor and his family. In the Qing Dynasty, the Emperor lived and worked almost exclusively in the Inner Court, with the Outer Court used only for ceremonial purposes. At the centre of the Inner Court is another set of three halls. From the south, these are the Palace of Heavenly Purity, Hall of Union, and the Palace of Earthly Tranquility. Smaller than the Outer Court halls, the three halls of the Inner Court were the official residences of the Emperor and the Empress. The Emperor, representing Yang and the Heavens, would occupy the Palace of Heavenly Purity. The Empress, representing Yin and the Earth, would occupy the Palace of Earthly Tranquility. In between them was the Hall of Union, where the Yin and Yang mixed to produce harmony. The Palace of Heavenly Purity is a double-eaved building, and set on a single-level white marble platform. It is connected to the Gate of Heavenly Purity to its south by a raised walkway. 
In the Ming Dynasty, it was the residence of the Emperor. However, beginning from the Yongzheng Emperor of the Qing Dynasty, the Emperor lived instead at the smaller Hall of Mental Cultivation to the west, out of respect to the memory of the Kangxi Emperor. The Palace of Heavenly Purity then became the Emperor's audience hall. A caisson is set into the roof, featuring a coiled dragon. Above the throne hangs a tablet reading "Justice and Honour" (Chinese: 正大光明; Pinyin: zhèngdàguāngmíng). The Palace of Earthly Tranquility is a double-eaved building, 9 bays wide and 3 bays deep. In the Ming Dynasty, it was the residence of the Empress. In the Qing Dynasty, large portions of the Palace were converted for Shamanist worship by the new Manchu rulers. From the reign of the Yongzheng Emperor, the Empress moved out of the Palace. However, two rooms in the Palace of Earthly Harmony were retained for use on the Emperor's wedding night. Between these two palaces is the Hall of Union, which is square in shape with a pyramidal roof. Stored here are the twenty-five Imperial Seals of the Qing Dynasty, as well as other ceremonial items. Behind these three halls lies the Imperial Garden. Relatively small, and compact in design, the garden nevertheless contains several elaborate landscaping features. 
To the north of the garden is the Gate of Divine Might, the north gate of the palace. Distributed to the east and west of the three main halls are a series of self-contained courtyards and minor palaces, where the Emperor's concubines and children lived. Directly to the west is the Hall of Mental Cultivation. Originally a minor palace, this became the de facto residence and office of the Emperor starting from Yongzheng. In the last decades of the Qing Dynasty, empresses dowager, including Cixi, held court from the eastern partition of the hall. Located around the Hall of Mental Cultivation are the offices of the Grand Council and other key government bodies. The north-eastern section of the Inner Court is taken up by the Palace of Tranquil Longevity, a complex built by the Qianlong Emperor in anticipation of his retirement. It mirrors the set-up of the Forbidden City proper and features an "outer court", an "inner court", and gardens and temples. The entrance to the Palace of Tranquil Longevity is marked by a glazed-tile Nine Dragons Screen. A lot of facts to mealt down. A great tip is to be prepared for a long walk in the heat. This is very large. In the south east corner you will find the toilets and can also smoke there, before returning back all the way. Royal!Zai jian!
Peter
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